
On Sunday, Nov. 29, Boston's Symphony Hall was filled with the resplendent sounds of George Frideric Handel's Messiah oratorio. A confluence of superb conducting, splendid singing, and orchestral distinction made it the finest performance of the work in years.
Conductor Harry Christophers led the Handel & Haydn Society in its annual concert featuring Handel's timeless piece. It is an epic tale that requires skill and imagination to produce. Without the benefit of visual effects, the conductor and singers face an arduous task of bringing the scenes alive to the audience. With their inspiring interpretation of the words and music, the performers on Sunday rose to the challenge with resounding success.